Each of the 4 HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the video standard of the switcher. The HDMI output is a true "aux" output so customers can clean switch each HDMI input or program to this output. If users are using program/preview switching, the HDMI out can be selected to preview, or on the ATEM Mini Pro model, it can be selected to display a full multiview.
The ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although customers can normally connect via USB, if customers connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers. Customers can even save the switcher state as an XML file. If customers need clip playback, customers can even control HyperDeck disk recorders via Ethernet.
The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. Customers can even use still frames for complex effects such as graphic wipes. ATEM Mini can even grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug- in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as customers can download directly into the media player.
For news or on-set presentation work, ATEM Mini is perfect as it has an upstream ATEM Advanced Chroma Key plus an additional downstream linear keyer. Customers can even use it for title overlays by creating graphics with a green or blue background and the keyer will knock out the green and make the background transparent.
When doing larger live productions with multiple cameras, it’s very useful to see all their video sources at the same time on a single monitor. The ATEM Mini Pro model includes a professional multiview that lets customers see all 4 video inputs, plus preview and program on a single HDMI television or monitor. Each camera view includes tally indicators so customers know when each source is on-air, and each view also has custom labels and audio meters. Customers can also see the media player so customers know what graphic is selected. Plus multiview even includes status for recording, streaming and the Fairlight audio mixer.
With a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features a total of 12 channels so customers can mix audio from all sources. That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning.
For a more broadcast style workflow, customers can remote control their cameras from ATEM Mini. Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means customers can control the camera settings as well as the camera’s color corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot. There are two types of control interface, CCU layout for traditional tint color control and a DaVinci color corrector interface allowing the camera’s built in DaVinci color corrector to add incredible digital film "looks" to their live production.